A contemporary of Bert Jansch and John Renbourn, Giltrap was signed by Transatlantic Records due to his talent and increasing success on the London folk scene. Such was Imlach’s standing that musicians such as Billy Connolly, John Martyn, Dick Gaughan and Christy Moore openly acknowledged the influence and schooling he had given them. Imlach was a formidable live entertainer and his popularity spread to wider Europe and the US. Dating from 1966, ’67 and ’68, all four were produced by the label’s owner, Nat Joseph. The first four Transatlantic Records albums from larger than life Scottish folk singer Hamish Imlach. Digitally remastered and slipcased, and with new notes. Since then, she has become an academic with the odd foray into recording. After his two ventures with Nick Strutt, Pegg recorded ‘Ancient Maps’ as a solo album Carole Pegg’s album was followed by her briefly performing with the late Graham Bond. These four albums were all recorded for Transatlantic Records and date from 1973,’74 and ’75. An unusual package for BGO, incorporating Bob Pegg’s solo and duo work with Nick Strutt and also including Carole Pegg’s solo album, released after the breakup of Mr. After the second album, the tensions caused by the breakdown of the Peggs’ marriage led to the band’s fracture Bob Pegg went on to work with Nick Strutt, who was by then a member of the group. The group, formed by Bob and Carole Pegg, was very much part of the burgeoning British folk rock scene. Fox’s two albums for Transatlantic Records, dating from 19 All three albums were produced by Transatlantic’s owner Nat Joseph, very much a hands-on British independent label boss. Here we have The Dubliners’ three Transatlantic Records albums, dating from 1964, 19, with three E.P.s and a bonus track from this period. For over 50 years, Irish folk group The Dubliners have been a well-loved institution at home and all over the globe. Digitally remastered and slipcased, and with extensive new notes. Porter Wagoner died in 2007, but Dolly Parton has continued with her superstar solo career. ‘Please Don’t Stop Loving Me’ was a US Country Singles chart No.1. All four made the US Top 20 Country chart. 
Four more and the last of the Wagoner– Parton collaboration albums, these date from 1973, 1974, 19.
Southside Johnny & The Asbury Jukes are still an extremely popular live act and continue to gig, with dates for 2020 already lined up.Both were US Top 100 albums, but didn’t produce any hit singles.Southside Johnny & The Asbury Jukes’ first two albums for their new label Mercury, dating from 19.
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